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The Cardigans - Long Gone Before Daylight



Review: Heather Metherell

AFTER five years away, The Cardigans make a welcome return with their stunning new album, Long Gone Before Daylight, which is, essentially, a beautiful and touching collection of love songs.

After entertaining us for nearly 10 years, with their tongue-in-cheek humour and kitsch pop, the Swedish quintet have arrived bearing an album that is more subtle, and more moody than their previous work. It's not just the music that's changed; the band is also sporting a new, more adult image.

Persson's lyrics are heart-felt confessions of lost love and loneliness, a stark contrast to the bright, airy, lounge-room jazz of Life, and the Blondie-inspired pop rock of Gran Turismo. The band has come a long way, and is now presenting us with a more mature and honest kind of songwriting.

Most of the tracks are set in the minor key, including their released single, For What It's Worth, which gives the album a sad, bittersweet quality.

Long Gone Before Daylight makes a quiet start, with the airy, mellow ballad, Communication. The simplicity of the music really allows Persson's voice to shine, and she begins singing in a soft, understated way, building gradually in volume, and singing from her throat in a slightly rasping tone.

This is a contemplative album, and much of the music is down key, with more emphasis on lyrics than their previous work has shown. Country-inspired tracks, such as Couldn't Care Less and Lead Me Into The Night conjure up images of lonely travellers drinking their sorrows away in roadside bars, telling tales of tired, lost love.

And Then You Kissed Me is a perfect example the kind of simple, beautiful, poignant songwriting that is in full force throughout this album. With the lyrics, "man you hit me, you hit me really hard, baby you hit me, yeah, you punched me right in the heart, and then you kissed me…", Persson's tortured vocals fall over the quiet heartbeat of the bass guitar.

There are some livelier moments; The Storm is a fantastic guitar-driven track that doesn't sound unlike Sheryl Crow's last album, once again proving the modern country influence on their new material.

Long Gone Before Daylight is delicate, gorgeous and subtle album, and though it may disappoint admirers of their earlier material, it will no doubt bring a new set of fans to the fore; and might give the band the commercial success they so richly deserve.

Track listings:
1. Communication
2. You're The Storm
3. A Good Horse
4. And Then You Kissed Me
5. Couldn't Care Less
6. Please Sister
7. For What It's Worth
8. Lead Me Into The Night
9. Live And Learn
10. Feathers And Down
11. 03.45: No Sleep
12. Hold Me (Bonus Track)
13. If There's A Chance (Bonus Track)

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